films set before the original 1977-83 trilogy but made 20+ years after) delivers much drama, darkness and some absurdity. This third act of George Lucas’s ‘Prequel Trilogy’ (ie. #8 / Star Wars – Episode III: Revenge of the Sith (2005)
There’s a chase in the skies above the city-planet Coruscant that will leave you breathless, but beyond that it’s a lot of action-heavy music designed to tie up disparate locations and story threads. Top of the list is a tragic love theme, ‘Across the Stars’, for the forbidden romance between Anakin Skywalker and Padme (future parents of Luke Skywalker and Princess Leia). Williams’s score suffered from heavy editing – particularly in the third act, but there are standout moments. London Symphony Orchestra London Voices/John WilliamsĮven in last place, this score delivers thrills, spills and romance. Here’s our ranking of all of John Williams’s Star Wars scores… #9 / Star Wars – Episode II: Attack of the Clones (2002) But where does this new, and final, score sit compared to the other eight? The Rise of Skywalker adds many new items to the canon while reflecting viscerally, and emotionally, on all that has come before. Indeed, the composer sees this set of scores as one body of work and Williams’s Ninth doesn’t disappoint.
Star wars intro piano movie#
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